Elischer pottery

Elischer ramekins & vaseElischer ramekins & vase
made in Melbourne, Australia 1950s

Most of my collection comes from Sydney potteries – but Elischer is a Melbourne pottery which commenced in the late 30s and continued until the late 80s. Elischer was a Viennese sculptor who turned to pottery when he immigrated to Melbourne. These pieces; three ramekins and a small vase, are in the typical 50s colourway of black, tan and cream but employ atypical organic, asymmetrical forms.

I have one other Elischer pottery piece in the collection – very different to these pieces- a Four Seasons Whiskey jug. By the 60s Elischer was making commercial bar ware and had moved away from the more experimental pottery seen here.

None of these pieces is signed – I have deduced from research and the matching colourway/asymmetric forms that all these pieces are Elischer. They are for sale: $AUD80

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40s Australiana

Diana Flannel Flower pie dishDiana ‘Flannel Flower’ pie dish, made in Sydney, Australia 1940s

I collect Diana pottery- and as a landscape architect I am particularly fond of the Australiana series of flowers produced in the 40s. Here we have the flannel flower, hand-painted- in a pie dish. The Flannel Flower is the floral emblem of NSW [and has been associated with this State since Federation in 1901.] I wouldn’t say that this is a terribly accurate or particularly artistic rendering of the flannel flower but it represents an important milestone in Australian pottery- where the fashions and obsession with all things English were replaced with a nationalistic interest in Australian iconography.

I have posted several other Diana Flannel Flower pieces [see several posts, below] but this is the first pie dish I have come across. It’s in excellent condition and clearly stamped Diana on the back.

I’ve teamed the pie dish with a little whimsy- a 40s koala figurine smoking a pipe. Not so much Australian iconography as Australian kitsch at its best!

The pie dish is for sale: $AUD75 [and I’ll throw in the koala as well!]

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30s sugar canister

30s sugar canisterSugar canister
made in Australia, 1930s

A wonderful example of a depression era canister – this aluminium sugar canister evidences all the hallmarks of the 30s- drilled, green bakelite handles, mismatched green tones, applied ‘Sugar’ label, and graduated rings to the cream base.

Anodised aluminium was in its infancy- and achieving colour matching next to impossible. So each green lid was slightly different across the whole set of five canisters [and added to this of course, is colour fading over time.] Meanwhile bakelite technology was forty years old- you could get any colour you wanted there.

The size of this canister tells you something about the storage of sugar in the 40s. This canister was second in size only to the Flour canister. Everything else in the series was smaller: Suet, Rice, Tea and coming up last, Coffee. My how things have changed in the modern world! [Coffee should always be the largest!- and what the hell is suet?]

The canister has a few dings due to age, but the anodised aluminium base and lid are in good condition. The canister is for sale: $AUD45

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Red & white bakelite

Australian bakelite spice canistersBakelite spice canisters,
made in Australia 1940s

Here is a collection of red and red & white bakelite spice canisters, all Australian made, in the 1940s.

The front six canisters- two with sprinkle tops, are by Sellex; Nutmeg, Cloves, Ginger, Cinnamon, and one [indecipherable] other. The two canisters at the upper left are by Marquis, and the pair of canisters adjacent are by Nally.

All good Australian bakelite canister manufacturers. All the canisters have screw lids – which are all in good order. The labels to the Sellex canisters show vintage wear- after all, they are over 75 years old.

I have a set of matching kitchen canisters by Eon – also red and white- this colour combination is a winner- see posts, below.

The set of ten spice canisters is for sale: $AUD135

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Slidex slide library

Hanimex Slidex slide library, 1950sHanimex ‘Slidex’ slide library
made in Australia 1950s

I love and collect Hanimex – slide projectors, slide viewers and now- a slide library. Each of the three drawers has flip out slide-holders [yellow, red, green] and each can hold 120 x 35mm slides. The slide library is pristine – never been used. Opposite the drawers is an index – to note the title of each of the twelve slide holders in each drawer- and the drawers themselves have a space for a label integral with the drawer pull. All you need is a typewriter: the index is removable and so can be inserted into a typewriter to be completed; and the drawer labels could similarly be typed. Tres tres cool!

Hanimex is an Australian company that commenced importing cameras and lenses in 1947. Jack Hannes started the company and the name Hanimex is an abbreviation of his company name: Hannes Import Export. By the mid 50s Hanimex was making and selling smaller photographic equipment –like this slide library- in Australia. Cameras that were still imported were rebadged Hanimex Topcon, the second name indicating the original manufacturer.

The precision engineering that has gone into making this compact, portable slide library is fantastic.

The slide library is for sale: team it with one of more of the other fantastic Hanimex products on this site! $AUD75

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50s Diana

Diana coffee pot & vaseDiana coffee pot & vase
made in Sydney, Australia c.1950s

I have posted Diana pottery before…I am very partial to Diana as it was made in a pottery that operated in Marrickville, Sydney from 1940 to 1975- very close to where I now live. These two pieces are quintessentially 50s pieces – the vase has a lovely mottled grey outer colour and a beautiful yellow inner. The yellow is repeated in the coffee pot’s lid, the two-toned theme being popular in the 50s.

The shapes of the pieces are also very 50s- the funky asymmetric form of the vase and the tilted line of the coffee pot. You’ll notice that the vase still has its original Diana sticker – stickers tend to make a piece more valuable, and it’s in perfect condition. Likewise the coffee pot, which has never been used.

Regulars to my blog will know that I collect Diana- from the 40s in the colour marking of green and brown [this evidencing my nationalistic streak] and while I love these pieces, they are not part of my permanent collection.

For sale: $AUD125

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Crystal Craft – gingham style [sold]

Crystal Craft spoon rest
made in Australia 1960s

Crystal Craft has become uber trendy for collectors: it is a resin-covered fabric that originated in Queensland in the 70s. This is a super 70s spoon rest- just look at the resin form and fabulous gingham pattern!

I can’t quite come at the passion some collectors have for Crystal Craft [being a child of the 70s and having had to live with it growing up] but younger collectors than I love it. I do like the gingham- and am devotee of this neat checkerboard design.

I have teamed the spoon rest with a Pyrex container of the same period, and an old bulb. The bulb is just for styling but the Pyrex container is available- I have collected this blue and a fabulous avocado green.

The gingham spoon rest is for sale: $AU12

Shoe fetish

Pates clogs
made in Sydney, Australia 1950s

Yet more of drip-glazed Pates Pottery. This incantation is the clog- that beloved symbol of the 50s when cultural differences were represented by national costume. [Mexicans wear sombreros! Japanese wear kimonos! Those crazy Dutch wear clogs!] The clog also represented the allure of international travel- which from Australia in the 50s was no mean feat- it meant six weeks on a boat to anywhere. No respectable knick-knack shelf of the modernist house would be without one!

Like the Pates pieces posted below, the colour tones here are pinks and greens, with crimson. Each one hand glazed- each one different. Other tones I have come across are yellow/brown, and brown/green [these came later in the 60s.] The production of the iconic clog went on until the early 70s.

This set of six clogs is for sale: $AUD115

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60s kitschiness [is my kinda kitschiness]

60s kitschinessMelbourne tray, made in Hong Kong, 1960s
Hornsea sugar bowl, made in England, 1960s
Diana ramekins, made in Australia, 1960s.

An ode to 60s kitschiness – a bar tray featuring the beautiful city of Melbourne in the 60s- terrible image, much touched-up and with an explanatory label; a green ‘Heirloom’ sugar bowl, stoneware designed and produced by John Clappison in 1966 for Hornsea; and a pair of Diana ramekins, made in Marrickville, Sydney in the late 60s.

A range of 60s aesthetics: the tacky, the patterned and the late-modernist. All now very desirable and collectable. People collect bar-themed paraphenalia [‘barphenalia’] – Hornsea is oh-so collectable now, and Diana pottery [and ramekins especially] is becoming very desirable.

All these items are in good vintage condition, and are for sale: Melbourne bar tray: $AU20, Hornsea Heirloom sugar bowl: $AU25, and the Diana ramekins: $AU20.

Sewing Paraphernalia

DF Tayler & Co pins, made in England 1940s
Southern Cross pins, made in Australia 1940s

Being a sew-er [rather than a sewer] and a vintage collector, I am quite partial to vintage sewing paraphernalia. I make clothes for myself from vintage fabric, using vintage patterns, threads, buttons, trims, etc. So I have collected [but not used] these vintage pins.

I love the graphics on the boxes- so of the times- and the pins from the 40s are both described as ‘short whites’. Short whites are steel, with thick heads, and fine points- made for most sewing occasions. The term ‘short’ was used to indicated they were made for use in dressmaking- longer pins in the 40s were still used to hold garments together when worn.

For collectors of sewing paraphernalia- or vintage dressmakers who enjoy the total vintage experience, the pins are for sale: $AU20

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