Following the fantastic lustreware duck jug recently posted; here is another lustreware duck. This is also from the 1950s- this being a dressed duck, with waistcoat and topcoat – but – strangely no wings [seem to be demurely tucked under those clothes.] The duck would have been bought for a children’s room; these anthropomorphic animals were very popular as gifts for children in the 50s and 60s.
The lustreware is seen on the topcoat, and as with the jug, all this was hand-painted. I’ve teamed the duck figurine- which is quite large- 170mm tall- with a little duck cup orphaned from a children’s tea set, also made in Japan at around the same time. Though just how he will pick up that cup is anyone’s guess!
Elischer ramekins & vase
made in Melbourne, Australia 1950s
Most of my collection comes from Sydney potteries – but Elischer is a Melbourne pottery which commenced in the late 30s and continued until the late 80s. Elischer was a Viennese sculptor who turned to pottery when he immigrated to Melbourne. These pieces; three ramekins and a small vase, are in the typical 50s colourway of black, tan and cream but employ atypical organic, asymmetrical forms.
I have one other Elischer pottery piece in the collection – very different to these pieces- a Four Seasons Whiskey jug. By the 60s Elischer was making commercial bar ware and had moved away from the more experimental pottery seen here.
None of these pieces is signed – I have deduced from research and the matching colourway/asymmetric forms that all these pieces are Elischer. They are for sale: $AUD80
Hanimex ‘Slidex’ slide library
made in Australia 1950s
I love and collect Hanimex – slide projectors, slide viewers and now- a slide library. Each of the three drawers has flip out slide-holders [yellow, red, green] and each can hold 120 x 35mm slides. The slide library is pristine – never been used. Opposite the drawers is an index – to note the title of each of the twelve slide holders in each drawer- and the drawers themselves have a space for a label integral with the drawer pull. All you need is a typewriter: the index is removable and so can be inserted into a typewriter to be completed; and the drawer labels could similarly be typed. Tres tres cool!
Hanimex is an Australian company that commenced importing cameras and lenses in 1947. Jack Hannes started the company and the name Hanimex is an abbreviation of his company name: Hannes Import Export. By the mid 50s Hanimex was making and selling smaller photographic equipment –like this slide library- in Australia. Cameras that were still imported were rebadged Hanimex Topcon, the second name indicating the original manufacturer.
The precision engineering that has gone into making this compact, portable slide library is fantastic.
The slide library is for sale: team it with one of more of the other fantastic Hanimex products on this site! $AUD75
Retro kitchen timers Smiths Ringers, made in England, 1940s,1950s, 1960s
Perhaps I should have styled these three ‘ringers’ chronologically- as it is, the green ringer is bakelite and steel, with a glass cover- circa 1940, the middle ringer is the youngest- a mere slip of a thing from the 60s – brown coated metal, and the last, red ringer is all plastic- from the 1950s.
Each ringer is somewhat redolent of its age. I do like the fact that the 60s ringer is called ‘Ringer Girl’- if only the other two had similarly inspired names. All the ringers have different bell sounds- naturally- and due to their age and hard working life, are more suited as objects of beauty, rather than function. The green bakelite is a little faded, the brown metal is a little rusted in parts- as you’d expect from vintage items.
The ‘lemon’ tray lends a stylistic note to the image- but if you’d like to have it along with the ringers- let me know. This set is for sale: $AUD95
Diana coffee pot & vase
made in Sydney, Australia c.1950s
I have posted Diana pottery before…I am very partial to Diana as it was made in a pottery that operated in Marrickville, Sydney from 1940 to 1975- very close to where I now live. These two pieces are quintessentially 50s pieces – the vase has a lovely mottled grey outer colour and a beautiful yellow inner. The yellow is repeated in the coffee pot’s lid, the two-toned theme being popular in the 50s.
The shapes of the pieces are also very 50s- the funky asymmetric form of the vase and the tilted line of the coffee pot. You’ll notice that the vase still has its original Diana sticker – stickers tend to make a piece more valuable, and it’s in perfect condition. Likewise the coffee pot, which has never been used.
Regulars to my blog will know that I collect Diana- from the 40s in the colour marking of green and brown [this evidencing my nationalistic streak] and while I love these pieces, they are not part of my permanent collection.
Yet more of drip-glazed Pates Pottery. This incantation is the clog- that beloved symbol of the 50s when cultural differences were represented by national costume. [Mexicans wear sombreros! Japanese wear kimonos! Those crazy Dutch wear clogs!] The clog also represented the allure of international travel- which from Australia in the 50s was no mean feat- it meant six weeks on a boat to anywhere. No respectable knick-knack shelf of the modernist house would be without one!
Like the Pates pieces posted below, the colour tones here are pinks and greens, with crimson. Each one hand glazed- each one different. Other tones I have come across are yellow/brown, and brown/green [these came later in the 60s.] The production of the iconic clog went on until the early 70s.
Fowler Ware pudding bowls,
made in Sydney, Australia 1940s
Fowler Ware pudding bowls are now quite collectable: and this crimson colour is the most sought colour. Vintage pudding bowls do double duty in the kitchen: they make excellent puddings- and when not being pressed into pudding work, they make great fruit bowls.
The monochrome shade of the pudding bowl looks great in a contemporary kitchen. The bowls originally came in a set of five –nested- bowls in the very 50s colours of grey, yellow, baby blue, green and crimson. I recently found a complete set of nested bowls – which is now unfortunately very rare.
These two bowls are from different sets- you can see this is the subtle differences in the rim patterning. However, they are the same fantastic crimson- and would look great holding apples or lemons- or – in the making of puddings!
The pudding bowls are for sale: $AU60/pair Buy Now
I have a rather large collection of retro scales. So far I have posted Australian scales [Salter -50s and Persinware-60s] but the collection also includes these lovely metal German scales. Scales are both functional and beautiful – as long as the measuring bowl is intact [and one must make sure it’s the original bowl as well.]
These scales weigh items up to 25 lbs [approx. 11.5kg] in 2 ounce increments. The scales are completely made of metal- bowl included, and they are original – not reproduction- scales, in that the scale is imperial only. Kitchen scales that feature both imperial and metric scales were made post 1972 and are considered reproduction.
The scales show a little bit of wear and tear from a life of service in a kitchen, but there is no corrosion or deterioration of the material and the weight measure is accurate. As is typical, there is an adjustment knob at the rear to allow one to correct for the weight of the bowl itself.
Four lemons and a lime weight 1lb 7oz. The duck is just along for the ride. For sale: $AUD75
I have a ‘thing’ for Mulga wood- I’ve featured quite a bit of it on the blog. Mulga wood was used in 1940-50s for souvenir works as it is a hardwood –unusual in a native from the wattle family – and was considered ‘export quality’. The timber is cut and arranged to show off its famous bi-colouring, as seen in these ‘beehive’ bookends.
These are ‘beehive’ bookends in the classic shape: it was a popular form in the 50s and seen in everything from knitting guages to car manufactures logos- to –of course- hairstyles.
The hardwood was first turned on a lathe, then cut in half to form bookends with a straight edge; then polished to a gloss. Often example of the bark was retained- as seen in these bookends- to contrast with the high glass finish. And the weight of the hardwood makes for excellent book ends; nothing is going to push these babies over.
Studio Anna wall plates & salt and pepper shakers
made in Australia 1950s
Studio Anna started their art pottery in 1953, in Marrickville [just near where I now live.] Unlike many other potteries in the area, Studio Anna commenced with making art pieces; rather than converting from industrial/commercial products as part of the cultural changes that the 50s ushered in.
Like Martin Boyd pottery- examples of which have been previously posted- Studio Anna specialised in hand-painted ‘Australiana’ themes. Flora and fauna and local iconic sites were depicted – I have several Studio Anna pieces that feature local hotels [oh! the 50s glamour!] as they were sold as souvenirware.
Here we have wall plates – featuring the lovely cities of Adelaide and Albury. And Moree is featured on the salt and pepper shakers. Wall plates are definetly a lost art form- you don’t find ceramic artists making them any more. These two are made with specialist hanging apparatus built into the backplate.
For Studio Anna collectors- or those considering collection- this would make a nice gift. The set of wall plates and s&p shakers are for sale: $AU80