Diana made art pottery out of premises that operated in Marrickville, Sydney from 1940 to 1975. Unlike many other Sydney–based potteries of the time, Diana made only domestic and art pottery, rather than industrial items – capitalising on the huge demand for domestic wares with an ‘Australiana theme’.
This small vase is a double from my collection, so I am reluctantly parting with it. It was also manufactured in classic 50s colours [powder pink, baby blue] and also came in a lustreware glaze. This vase comes from the ‘Australiana’ collection; it is hand-painted in bushland colours; and it also came in a eucalyptus green colour. Because the vases are hand-painted there is quite a variation in the glazed colours: you can just see some green tones creeping into the bark-coloured brown tones.
The vase is in excellent vintage condition, and is for sale: $AU25
Melbourne tray, made in Hong Kong, 1960s Hornsea sugar bowl, made in England, 1960s Diana ramekins, made in Australia, 1960s.
An ode to 60s kitschiness – a bar tray featuring the beautiful city of Melbourne in the 60s- terrible image, much touched-up and with an explanatory label; a green ‘Heirloom’ sugar bowl, stoneware designed and produced by John Clappison in 1966 for Hornsea; and a pair of Diana ramekins, made in Marrickville, Sydney in the late 60s.
A range of 60s aesthetics: the tacky, the patterned and the late-modernist. All now very desirable and collectable. People collect bar-themed paraphenalia [‘barphenalia’] – Hornsea is oh-so collectable now, and Diana pottery [and ramekins especially] is becoming very desirable.
All these items are in good vintage condition, and are for sale: Melbourne bar tray: $AU20, Hornsea Heirloom sugar bowl: $AU25, and the Diana ramekins: $AU20.
This is an image of bookshelves I designed for our front entrance room. The bookshelves were envisaged as a series of ‘boxes’ to allow me to catalogue the books, and as a framing device for parts of my collection. I can change the ensemble pieces around easily – and so far it’s half / half between the books and the collection. These pieces are 40s and 50s Diana, from a pottery that operated in Marrickville, Sydney from 1940 to 1975. Diana pottery had many iterations, but I like these brown and green coloured pieces the best, and I particularly like those jugs with the quasi-kangaroo leg shapes.
I don’t think I can part with my brown-and-green Diana collection, but thought I could use the shelving device to showcase other parts of the collection that I can reluctantly say goodbye to.
Diana ‘Flannel Flower’ pie dish, made in Sydney, Australia 1940s
I collect Diana pottery- and as a landscape architect I am particularly fond of the Australiana series of flowers produced in the 40s. Here we have the flannel flower, hand-painted- in a pie dish. The Flannel Flower is the floral emblem of NSW [and has been associated with this State since Federation in 1901.] I wouldn’t say that this is a terribly accurate or particularly artistic rendering of the flannel flower but it represents an important milestone in Australian pottery- where the fashions and obsession with all things English were replaced with a nationalistic interest in Australian iconography.
I have posted several other Diana Flannel Flower pieces [see several posts, below] but this is the first pie dish I have come across. It’s in excellent condition and clearly stamped Diana on the back.
I’ve teamed the pie dish with a little whimsy- a 40s koala figurine smoking a pipe. Not so much Australian iconography as Australian kitsch at its best!
The pie dish is for sale: $AUD75 [and I’ll throw in the koala as well!]
This is a fantastic Diana jug- described as J4 and selling for 9/- in 1950, when it was made. That’s 9 shillings- 9 ‘bob’ in the old parlance [or just less than half a pound!]
The jug was produced in this matt white glaze, and the brown and green drip glaze that has featured previously on this blog. I collect Diana in the brown & green colourings- but love the deco stylings of this jug and am sorely tempted to keep it.
I’ve styled the jug as a vase- the matt white glaze looks fabulous with the off-white colour schemes of most contemporary walls- and it’s nice to have a retro piece that has a few functions.
Some more of my Diana pottery collection- an inter-war pottery manufacturer located very close to where I now live. The pottery operated from 1940 to 1975 – and these vases evidence a post-war nationalism in the use of drip glaze colours : the particular Australian browns and greens of the Eucalypts.
Winter is daffodil time in Sydney: I like the colours here and particularly like the Diana vases on the timber table. Daffodils and Eucalypts are a bit of a mixed metaphor – but the old adage that a group of three a collection makes, I think, is true.
I have shared my fascination with Diana Pottery many times on this blog- and having just sold some iconic Flannel Flower pieces, thought I’d post this rather more kitschy ‘prawn’ collection.
Picture this: it’s the mid 50s in Australia. Nationalism and modernism are joining forces in artistic expressionism and so Diana comes up with : prawns. Prawns as an emblem of a new national dish. Prawns because we have whopper sizes in Australia. Prawns, because they are easily rendered in clay and are a simple, easily recognised form…and prawns because- well every other national dish was already taken.
We see here a large platter with fluting and capacity for two different dipping sauces in the middle; a sauce boat and saucer [presumably for tartare sauce] and a side plate- all with painted red prawns as handles, and the same fluting. Accompanying these are two ramekins and a sauce boat – with handles in the form of prawns, but unpainted.
There is much conjecture in the world of Diana collectors as to whether the absence of colour/paint/glaze on these matt white pieces is intentional, or whether they were merely unfinished. There are many pieces that have the same moulding or casting of figurative elements as pieces that were hand-painted but were sold unpainted- vases, plates, ramekins, the lot. My own feeling [and completely unsubstantiated opinion] is that the unpainted pieces were entirely intentional…one could mix and match with the painted pieces and not be quite so overwhelmed with bright red prawns. And I say this as a person dedicated and entirely wedded to kitsch. Even I have limits.
This collection comprises six pieces which are all in good condition -and is for sale: $AUD175
Diana pink & white Flannel flower vases
made in Sydney, Australia c.1960s
Some more of my Diana collection. Flannel flower is the floral emblem of NSW [and has been associated with this State since Federation in 1901.] Diana pottery in the 60s produced a number of Sydney specific floral emblems on vases and pots – some were hand painted [and quite garish in my opinion.] I like the more subtle relief work depicting the Flannel flower on these vases.
These four vases showcase the four Diana vase styles that exhibited the flannel flower designs- from back to front in the image: – trough vase, round regular vase, posy ring vase and basket vase. My Diana collection finishes with these pieces from the 60s…I really can’t bring myself to embrace the pieces that were made in the 70s.
The four vases are in excellent condition, and are for sale: $AUD225
This is an image of bookshelves I designed for our front entrance room. The bookshelves were envisaged as a series of ‘boxes’ to allow me to catalogue our books, and as a framing device for parts of my collection. I can change the ensemble pieces around easily – and so far it’s half / half between the books and the pottery collection. These pottery pieces are Diana, the pottery that operated in Marrickville, Sydney from 1940 to 1975. Diana pottery had many iterations, but I like these brown and green coloured pieces the best, and I particularly like those jugs with the quasi-kangaroo leg shapes.
I don’t think I can part with my brown-and-green Diana collection, but thought I could use the shelving device to showcase other parts of the collection that I can reluctantly say goodbye to. These feature in posts, below…
Diana ramekins & condiment bowls
made in Sydney, Australia c. 1950s
I have posted before about Diana, a Marrickville [Sydney] pottery that produced homewares from 1940 to 1975. I live very close to Marrickville, so became fascinated with this pottery and have… um… collected… a… bit… of it….. .. .. . .[see proof in myriad posts, below!]
These fantastic 50s ramekins are all in good condition. I love the way the ramekins, when stacked like this, resemble Daleks [the official nomenclature is ‘scroll ware’, but I can’t help thinking Dalekware.] Each ramekin is stamped “guaranteed ovenproof” and I have tested them and they are indeed still good for oven baking today.
Diana ramekins, a quintessential 50s soup accoutrement, came in either a square or round shape with scroll handle. Diana made sure that all the 50s colours were represented, and like other ceramics of the time, continued the trend of producing multi-coloured dinnerware that could be bought piece by piece- rather than a patterned or mono-chrome set. This meant that if a piece broke, it could be easily and cheaply replaced to make up the set.
Together with the condiment bowls, these ramekins would kick-start any Diana 50s collection. The set is for sale [8 ramekins & 7 condiment bowls]: $AUD155