Dog on the Tuckerbox, #50sstyle

Royal Stafford cup and saucer, made in England 1950s
Glass ashtray, made in Australia 1950s

More of my ‘Dog on the Tuckerbox’ collection – a transfer printed cup and saucer and a glass ashtray with 50s photo of said dog on the base.

The cup and saucer are bone china, with gilt edging to both cup and saucer, and marked 3395 to base. Meanwhile, the glass ashtray- a souvenir item, made in Australia, has a rather crudely hand-coloured 50s photograph in the moulded glass. But if nothing else, that photograph shows how accurate the transfer prints on the cup and saucer are- and they were made in England.

Both are kitschy, one more refined kitsch than the other!

Start your Dog on the Tuckerbox collection today: the cup and saucer is for sale: $AU25 as is the ashtray: $AU10 [or $AU30 for both.]

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Guy Boyd goblets

Guy Boyd goblet set
made in Sydney, Australia 1950s

This is a really, really rare set of Guy Boyd goblets. The form of the vessel- the goblet- was only produced in very limited quantities. To find an original set [rather than re-create a set, one piece at a time] is also rare.

The Boyds are a famous Australian family of artists. Martin Boyd pottery started in Cremorne, Sydney in 1946- but Martin doesn’t exist, instead it was Guy [Martin] Boyd who was the chief ceramicist. The pottery was in operation from 1946-1964, with 1957-58 being the peak production period.

All Guy Boyd pottery is made [and signed] by hand so there is a slight variation between any pieces in a set. The pottery is instantly recognisable from the edge band of unglazed pottery that always separates the two toned pieces. The colours are quintessentially 50s.

This fabulous goblet set would be great for Christmas drinks! It is for sale: $AU75
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Penny Inkwells

Penny inkwells,
made in Victoria, Australia 1880-1910

This is a collection of ‘penny’ inkwells; they are ceramic and so-called because they were cheaply made bottles that cost a penny to buy. They were crudely made and one of the first ‘disposables’- they were simply thrown out when they were empty. So this little collection is quite rare: most penny inkwells that survived the nineteenth century are chipped or broken.

The ceramic is stoneware with a salt glaze. Each inkwell is a different colour, depending on the mix of the original clay colour and the finished glaze: they range from a light tan to a deep russet brown. No two the same!

Most penny inkwells were used by school children; but would occasionally also be bought to be used in homes. There are many websites devoted to the collection of inkwells, and Ebay has a section for ‘collectable inkwells and ink pots’. Single penny inkwells in good condition are selling for around $45.

The collection of 8 penny inkwells is in excellent vintage condition, and is for sale: POA

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Nally mixing bowls

Nally mixing bowls,
made in Australia, 1940s

I love bakelite and have collected Australian bakelite domestic ware for some time. Nally first started bakelite production in 1923 and was one of the first in Australia to do so. The factory was just up the road from where I now live.

These two mixing bowls – although nested [that is fitting exactly within one another]- were priced and sold separately. Nally’s advertising blurbs of the time made much of the fact that replacement pieces could always be bought, and as the mixing bowls were ‘harlequin’ [ie: different colours] they could be mixed and matched.

As it happens, these two bowls have never been used- testament to this fact is the original sticker in the base of the bowl. The sticker indicates these are ‘Genuine’ Nally bowls [in case you know, you thought they were fakes!]

The mixing bowls have a pouring lip, and came in the usual 40s pastel colours of blue, green, pink, cream and white. These bowls are yellow; and I’ve teamed them with a kewpie doll from the same era.

The bowls are for sale: $AU75

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Doggy bookends

ceramic dog bookends, Japan, 1950sCeramic dog bookends
made in Japan 1950s

These doggy bookends- cocker spaniels, I believe, were made in the 50s. They both have a large hole in the base- which I always believed was for glazing/firing purposes – but no- apparently this hole allows the bookends to be filled with sand, and then corked to seal. The sand allows the bookends to have a heavier mass, and so withstand the forces of all the books. I had no idea.

The book ends are shown here with our burgeoning Observer book collection – they are just the right scale for the books. I have not filled the bookends with sand – but leave that to the next owner.

The bookends would suit a reader with a library, or – a cocker spaniel enthusiast. The doggy bookends are for sale: $AUD80

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Bakelite napkin rings

Bakelite napkin ringsBakelite napkin rings
made in Sydney, Australia 1950s

This set of harlequin octagonal bakelite napkin rings was made by Marquis in the 50s. Harlequin refers to the different colours [indeed, one of the rings is ‘end-of-day’ bakelite.] End-of-day bakelite was the pattern formed when whatever bits of bakelite where left where thrown together into the mould.

In the 50s everything was ‘harlequin’ – think sets of anodised aluminium beakers. This was actually a clever marking ploy- if you lost/broke one piece of a set, it was easily replaced – since nothing matched by colour, pattern or manufacturer.

Marquis was a huge bakelite manufacturer- they made everything that could be made from bakelite- from kitchen utensils, to light switches, to 35mm slide viewers. Indeed, I seem to have quite a few kitchen scoops, butter dishes, teaspoons, salt and pepper shakers and slide viewers made by Marquis in my collection.

I love the form of these napkin rings: octagonal shape on the outside – so the napkin ring sat easily on a table- but circular inside form – so the napkin could be smoothly set in place. Form and function, people! And just look at those beautiful bakelite colours.

Bakelite continues to be a sought after collectible: and this set of eight napkin rings is for sale: $AUD80

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Guy Boyd goblets

Guy Boyd goblet set
made in Sydney, Australia 1950s

This is a really, really rare set of Guy Boyd goblets. The form of the vessel- the goblet- was only produced in very limited quantities. To find an original set [rather than re-create a set, one piece at a time] is also rare.

The Boyds are a famous Australian family of artists. Martin Boyd pottery started in Cremorne, Sydney in 1946- but Martin doesn’t exist, instead it was Guy [Martin] Boyd who was the chief ceramicist. The pottery was in operation from 1946-1964, with 1957-58 being the peak production period.

All Guy Boyd pottery is made [and signed] by hand so there is a slight variation between any pieces in a set. The pottery is instantly recognisable from the edge band of unglazed pottery that always separates the two toned pieces. The colours are quintessentially 50s.

This fabulous goblet set would be great for Christmas drinks! It is for sale: $AU75
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60s kitschiness [is my kinda kitschiness]

60s kitschinessMelbourne tray, made in Hong Kong, 1960s
Hornsea sugar bowl, made in England, 1960s
Diana ramekins, made in Australia, 1960s.

An ode to 60s kitschiness – a bar tray featuring the beautiful city of Melbourne in the 60s- terrible image, much touched-up and with an explanatory label; a green ‘Heirloom’ sugar bowl, stoneware designed and produced by John Clappison in 1966 for Hornsea; and a pair of Diana ramekins, made in Marrickville, Sydney in the late 60s.

A range of 60s aesthetics: the tacky, the patterned and the late-modernist. All now very desirable and collectable. People collect bar-themed paraphenalia [‘barphenalia’] – Hornsea is oh-so collectable now, and Diana pottery [and ramekins especially] is becoming very desirable.

All these items are in good vintage condition, and are for sale: Melbourne bar tray: $AU20, Hornsea Heirloom sugar bowl: $AU25, and the Diana ramekins: $AU20.

Glomesh bling

Glomesh purse, 1960Glomesh purse,
made in Sydney, 1960

Glomesh is an international brand that makes these instantly recognisable ‘chain-mail’ handbags and purses in white, silver and gold. The company was founded by Hungarian immigrants Louis and Alice Kennedy in Bondi, in 1958. The company continues today, without much variation from the original design ideal.

I am not a handbag person – BUT my sister is. She has a thing for Glomesh. It’s the tactile and blingy nature of the bags –a reaction she shares with many. Naturally I support her in her Australian-made ideal.

This is a very early purse- in gold- which has an internal label: “GLOMESH, Made in NSW, Australia”, which marks it as such. A few of the gold plates at the base are worn and a bit bent, but the purse is entire and its lining is intact.

This is a piece of Glomesh history: and it’s for sale: $AU45

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Coffee bean spoons

Silver-plated coffee spoons,
made in England 1940s

This boxed set of coffee spoons features a celluloid ‘bean’ on the end of scalloped-bowled spoons. The spoons are stamped EPNS for Electro-Plated Nickel Silver. Nickel is the base metal onto which the silver is plated.

The celluloid ‘beans’ are brown, and somewhat realistic; the way to determine newer [= less vintage] coffee bean spoons is the beans are all manner of colours, and usually made of glass or plastic. Green beans I get [that’s the natural colour prior to roasting] but blue and pink beans are hardly authentic!

The silver plate is somewhat rubbed from some spoons – a tendency found on all EPNS cutlery that’s over seventy years old. So these spoons should be used for display purposes only.

The spoons come in their original box; and are for sale: $AU45

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