Studio Anna wall plates & salt and pepper shakers
made in Australia 1950s
I am particularly drawn to kitsch pottery that has landscape or botanical images…so souvenir ware from the 50s is right up my street! I have posted Studio Anna pottery previously- you might remember that it was situated right near where I now live, in inner-Sydney.
This very kitschy souvenirware was very popular in the 50s – and then it went out of fashion [in a big way] in the 70s and 80s. Rightly so, the appropriation – and kitschisation- of indigenous motifs was debated and condemned. Now, in this post-modernist era, enough time has passed and enough discussion ensued that we can now look on these very dated images with fondness and nostalgia.
The wall plates have a hanging device on the back, so they can be – hung on a wall; here the cities of Adelaide and Albury are celebrated. The salt and pepper shakers celebrate Moree. A nice start to a Studio Anna collection.
Terra Ceramics was a pottery run by Bernhard Fiegel, a Dutch-trained potter who immigrated to Australia after the second world war. Like much of my Australian collection, the pottery was in Ashfield [and then Greenacre]- very close to my own locale in Sydney. His pottery produced art pieces, under both the names Terra Ceramics and Terama. The pieces were hand-worked in shape, and then handpainted.
Terra Ceramics was proudly Australian, but I think you can see in these ‘Patio’ pieces, and in another collection ‘Daisy’ featured on this blog, that Fiegel’s Dutch heritage is evident in the motifs. Very modernist, and together with the asymmetrical shapes – very funky and very 60s!
The pottery produced art pieces from the early 60s to the early 80s, so was in production for less than twenty years. This set comprises a teardrop plate, a wall pocket-vase and a pair of – funky-shaped plates. Like many pieces produced in Terra Ceramics in the early days, these have a simple ‘Patio’ backstamp.
All pieces are in excellent vintage condition, and are for sale: $AU75
Glass pearl beaded clutch and choker, made in Japan c.1940s Midwinter lamb figurines, made in England 1946-1953
This beautiful clutch and matching choker belonged to my friend Susan’s grandmother. Susan’s grandmother kept them safely in their original box, bringing them out only to wear on special occasions. The beading detail is delightful, and is entire [one lady owner!]- I can just imagine the outfits that this ensemble would complete.
At first glance, the beaded clutch and choker and the lamb figurines are an unusual pairing – but both are of the same era. And both hint at joyous and exuberant occasions!
WR Midwinter [Burslem, Staffordshire] is famous for its small, appealing animals- it started producing in 1910 and is still producing today. These frolicking lambs –produced between 1946 and 1953- are now quite collectible. And a pair is better than a single. [I saw a single on Ebay for $55.]
The glass pearl encrusted clutch and matching choker is for sale: $AUD155
The Midwinter pair of lamb figurines : $AUD75
Carlton Ware ‘Apple Blossom’
made in England 1937-1950s
I may have mentioned before that I am drawn to botanical themes- and that I may have amassed a fair bit of botanical related items due to being a landscape architect. Well- here’s more proof. An ‘Apple Blossom’ plate in one two colours in which it was produced- yellow and green.
The floral embossed motif ‘Apple Blossom’ was part of Carlton Ware’s Salad Ware Range, produced from 1937 to the 1950s. Apple Blossom was the most popular of the floral ware produced and over sixty different items were made : seen here is a medium-sized plate – I also have a large, medium and small plate, a footed bow and a sugar bowl.
Carlton Ware is very collectible – you may have seen my previous post of the Wild Rose jug [also part of the Salad Ware range]- but like all collectibles its popularity waxes and wanes. Us purists, of course, collect what we like and are unswayed by popularity. And I like botanical themes on my pottery!
The plate is in excellent condition for pottery that is over seventy years old. For Carlton Ware collectors and mad keen botanists alike–this plate is for sale: $AU25
[PS: As for the swallow- I am waiting for the other two of the original trio to turn up. In the meantime, s/he is doing double duty as a styling piece.]
Fowler Ware created industrial pottery in Glebe, Sydney commencing in the 1840s. After WWI, Fowler Ware moved to producing pottery for the domestic market : their graduated pudding bowls & jugs were so popular that they opened a second pottery to cope with the demand.
This is a blue and white striped jug from the 30s; the blue and white colours resembled English Cornish Ware and were the premium pieces produced in the 20s and 30s. Every day pieces- ‘Cream Ware’ were made under the Fowler’ Utility’ label, while the blue and white pieces- coffee pots, pudding bowls and jugs- have a Fowler Ware & Sons backstamp.
This jug appears never to have been used: it is pristine inside and out. Quite a rare find.
CONGRATULATIONS i’m so HOPPY for you!
drop me a Lion will you?
HAPPY BIRTHDAY to you…happy birthday…[this sung by a crow-postman]
DON’T CROAK get well QUICK
Well, OK, that last one is a little suspect. Not so much corny as bordering on tactless.
Following on from a recent post featuring comic lawn bowlers [see below] – another subject ripe for hilarity, these novelty plates appeal to me in the same manner. The screwball graphics and expressions – sort of sums up the swinging 60s! I can’t image them being made today.
The plates are unmarked, but I think they are English in origin- the person from whom I purchased them believed so. If anybody knows anything more about these novelty plates, I’d love to hear from you.
As you know, I collect Australian pottery made by Diana- the post-war pottery was situated very near where I now live in Sydney. I collect the ‘Australiana’ pottery in colours of eucalypt green and bark brown- but the same vase shape came in a multitude of colours to suit the changing interiors of post-war Australia.
Here are two posy vases- or ring vases- which display floating flowers [rather than stemmed flowers] and a small matching vase. The deep crimson and powder blue colours are SO 50s; but the geometric patterning on these vases harks back to the 20s and Art Deco. The same shaped vases were made well into the 70s, when they were handpainted [quite garishly, natch] with Australian flora.
Diana produced ‘art pottery’ from 1940 to 1975. The pottery is unique in that it only produced art and domestic pottery products, rather than having antecedents in industrial pottery. I have a number [she said, modestly] of Diana pieces featured on this blog; jugs, pudding bowls, ramekins, casserole dishes, platters, coffee pots…and vases.
This collection of vases is for sale: $AU75 [the small vase has original Diana sticker]
Poole is a very well-known pottery; it started operating in Dorset, England in 1873 – and continues today. All Poole is now highly collectible- but I am particularly fond of the pottery produced between the 30s and 60s.
This Poole egg cup set is in the twintone colourway [THEIR term] ‘Seagull and Teal’. The teal makes for a nice connection with the tea caddy. The ’seagull’ is a lovely mottled pinky-creamy-colour. The five piece set is in excellent condition; the plate under the egg cups has circular indentations to help steady the cups.
Bushells tea caddies, tin and mass produced to mark commemorative occasions, are now quite sought after. Here we have her Maj, Prince Philip and both countries’ flags to mark Elizabeth’s coronation in 1953. This caddy has now sold.
I am a huge Kathie Winkle fan: she produced over one hundred patterns for Broadhurst between 1958 and 1975. And it seems I’m not the only one: recently Kathie re-released several of the more popular patterns [see her website.]
However, these new releases are not handpainted, don’t have wonky registration of the transfer patterns, and look too – new and perfect. I much prefer the originals, and take great satisfaction from collecting them in the ‘wild’. So far, I have: Corinth  Calypso  Newlyn  Tashkent, Kontiki  Renaissance, Electra, Rushstone  Michelle  – and now- Kimberley [1973.]
This is a place setting for one: large plate, side plate and cup and saucer. And it’s for sale. Start your Kathie Winkle collection today! My ideal would be to have a place setting in six different patterns- fabulous! $AU45