Children’s figurine #50s style

Lustreware duck figurine, 1950sLustreware duck
made in Japan, 1950s

Following the fantastic lustreware duck jug recently posted; here is another lustreware duck. This is also from the 1950s- this being a dressed duck, with waistcoat and topcoat – but – strangely no wings [seem to be demurely tucked under those clothes.] The duck would have been bought for a children’s room; these anthropomorphic animals were very popular as gifts for children in the 50s and 60s.

The lustreware is seen on the topcoat, and as with the jug, all this was hand-painted. I’ve teamed the duck figurine- which is quite large- 170mm tall- with a little duck cup orphaned from a children’s tea set, also made in Japan at around the same time. Though just how he will pick up that cup is anyone’s guess!

The duck figurine is for sale: $AU35

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Maplewood

J&G Meakin Studio plate
made in England, 1967

J & G Meakin Ltd was founded in 1851 when James and George Meakin took over their fathers Eagle Pottery, operating out of Hanley in England. Many potteries of this time – like Meakin- were located on canals- for ease of movement of raw materials into the factory- and finished products out of the factory to Liverpool; from there Meakin pottery was exported to all the British colonies, including America and Australia.

The company was amongst the first British pottery firms to experiment with modernist designs associated with the art deco period; and in the 19th and early 20th centuries, J. & G. Meakin were important, large-scale producers of good quality, ironstone tableware (‘White Granite’ ware.) This plate- with pattern ‘Maplewood’ is an example of White Ironstone, or White Granite pottery.

Made in 1967, the Maplewood dinner service features ‘permanent colour, with hand engraving’. The classic, abstract design of grey maple leaves on a pure white plate is highly sought after.

Alas- I only have one plate…but there are a myriad examples of 60s Meakin design: my ideal is to have a dinner service made up of each of the designs.

This plate is for sale: $AU15
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Donald & Piglet

Donald Duck clock & PigletBayard Donald Duck clock, made in France c.1960s
Beswick Piglet figurine, made in England 1968-1990

This lovely Donald Duck clock is currently for display only – the clock mechanism still works but its time keeping is not exactly accurate. It could possibly be repaired- and it would be fun to see Donald’s arms holding red paint brushes move around the dial – but for my money, he’s quite adorable as he is.

The other issue with these clocks is…the hands are well known to fall off. In fact, if you find a clock with the hands still attached- you are doing well. So, I think since the hands are in a delightful twenty minutes to three configuration, all well and good.

The blue metal casing has some rust – and a tiny nick in the plastic dial ring between numbers 8 and 9 – click on the image to enlarge to see – both of which are a product of the clock’s age. This particular Donald clock is now quite rare in that it has little plastic feet in place of the more commonly produced metal pedestal rest.

All vintage Disney products are now very collectable. Donald’s friend Piglet, by Beswick, is no exception. He has a ‘gold’ back stamp indicating he was made by Beswick, under license for Walt Disney Productions. Figurines with a gold back stamp are more expensive than those with a mere brown back stamp. I have seen gold back stamp Piglets for sale for over $150! And for a fella with such a forlorn face too!

Piglet is in excellent condition; both items are for sale separately or together.

For sale: Donald Duck clock: $AUD75, Piglet : $AUD75 or both: $AUD125

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Elischer pottery

Elischer ramekins & vaseElischer ramekins & vase
made in Melbourne, Australia 1950s

Most of my collection comes from Sydney potteries – but Elischer is a Melbourne pottery which commenced in the late 30s and continued until the late 80s. Elischer was a Viennese sculptor who turned to pottery when he immigrated to Melbourne. These pieces; three ramekins and a small vase, are in the typical 50s colourway of black, tan and cream but employ atypical organic, asymmetrical forms.

I have one other Elischer pottery piece in the collection – very different to these pieces- a Four Seasons Whiskey jug. By the 60s Elischer was making commercial bar ware and had moved away from the more experimental pottery seen here.

None of these pieces is signed – I have deduced from research and the matching colourway/asymmetric forms that all these pieces are Elischer. They are for sale: $AUD80

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Hornsea!

Hornsea ‘Heirloom’ jug
made in England  1976

Hornsea pottery is SUPER collectible right now: this is a jug from the ‘Heirloom’ pattern.

Hornsea Pottery started in 1949 in England and finished production in 2000. In 1970s John Clappison designed the successful – and now very collectible- series ‘Heirloom’, Saffron’ and ‘Bronte’ patterns.

Each of the designs has a repeating pattern in different colours: Heirloom is sepia & charcoal, Saffron is tan & orange and Bronte is sepia & green. I have featured the Bronte pattern previously on this blog- a set of kitchen canisters; and also more Heirloom; cups and saucers and cake plates.

I kinda like the idea of having an entire set made up from all three patterns; they look so good together. Start your Hornsea collection today with this terrific jug- in excellent condition- for sale: $AU15

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40s Australiana

Diana Flannel Flower pie dishDiana ‘Flannel Flower’ pie dish, made in Sydney, Australia 1940s

I collect Diana pottery- and as a landscape architect I am particularly fond of the Australiana series of flowers produced in the 40s. Here we have the flannel flower, hand-painted- in a pie dish. The Flannel Flower is the floral emblem of NSW [and has been associated with this State since Federation in 1901.] I wouldn’t say that this is a terribly accurate or particularly artistic rendering of the flannel flower but it represents an important milestone in Australian pottery- where the fashions and obsession with all things English were replaced with a nationalistic interest in Australian iconography.

I have posted several other Diana Flannel Flower pieces [see several posts, below] but this is the first pie dish I have come across. It’s in excellent condition and clearly stamped Diana on the back.

I’ve teamed the pie dish with a little whimsy- a 40s koala figurine smoking a pipe. Not so much Australian iconography as Australian kitsch at its best!

The pie dish is for sale: $AUD75 [and I’ll throw in the koala as well!]

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50s Diana

Diana coffee pot & vaseDiana coffee pot & vase
made in Sydney, Australia c.1950s

I have posted Diana pottery before…I am very partial to Diana as it was made in a pottery that operated in Marrickville, Sydney from 1940 to 1975- very close to where I now live. These two pieces are quintessentially 50s pieces – the vase has a lovely mottled grey outer colour and a beautiful yellow inner. The yellow is repeated in the coffee pot’s lid, the two-toned theme being popular in the 50s.

The shapes of the pieces are also very 50s- the funky asymmetric form of the vase and the tilted line of the coffee pot. You’ll notice that the vase still has its original Diana sticker – stickers tend to make a piece more valuable, and it’s in perfect condition. Likewise the coffee pot, which has never been used.

Regulars to my blog will know that I collect Diana- from the 40s in the colour marking of green and brown [this evidencing my nationalistic streak] and while I love these pieces, they are not part of my permanent collection.

For sale: $AUD125

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1940s glamour

1940s beaded clutch & chokerGlass pearl beaded clutch and choker, made in Japan c.1940s
Midwinter lamb figurines, made in England 1946-1953

This beautiful clutch and matching choker belonged to my friend Susan’s grandmother. Susan’s grandmother kept them safely in their original box, bringing them out only to wear on special occasions. The beading detail is delightful, and is entire [one lady owner!]- I can just imagine the outfits that this ensemble would complete.

At first glance, the beaded clutch and choker and the lamb figurines are an unusual pairing – but both are of the same era. And both hint at joyous and exuberant occasions!

WR Midwinter [Burslem, Staffordshire] is famous for its small, appealing animals- it started producing in 1910 and is still producing today. These frolicking lambs –produced between 1946 and 1953- are now quite collectible. And a pair is better than a single. [I saw a single on Ebay for $55.]

The glass pearl encrusted clutch and matching choker is for sale: $AUD155
The Midwinter pair of lamb figurines : $AUD75

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Shoe fetish

Pates clogs
made in Sydney, Australia 1950s

Yet more of drip-glazed Pates Pottery. This incantation is the clog- that beloved symbol of the 50s when cultural differences were represented by national costume. [Mexicans wear sombreros! Japanese wear kimonos! Those crazy Dutch wear clogs!] The clog also represented the allure of international travel- which from Australia in the 50s was no mean feat- it meant six weeks on a boat to anywhere. No respectable knick-knack shelf of the modernist house would be without one!

Like the Pates pieces posted below, the colour tones here are pinks and greens, with crimson. Each one hand glazed- each one different. Other tones I have come across are yellow/brown, and brown/green [these came later in the 60s.] The production of the iconic clog went on until the early 70s.

This set of six clogs is for sale: $AUD115

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60s kitschiness [is my kinda kitschiness]

60s kitschinessMelbourne tray, made in Hong Kong, 1960s
Hornsea sugar bowl, made in England, 1960s
Diana ramekins, made in Australia, 1960s.

An ode to 60s kitschiness – a bar tray featuring the beautiful city of Melbourne in the 60s- terrible image, much touched-up and with an explanatory label; a green ‘Heirloom’ sugar bowl, stoneware designed and produced by John Clappison in 1966 for Hornsea; and a pair of Diana ramekins, made in Marrickville, Sydney in the late 60s.

A range of 60s aesthetics: the tacky, the patterned and the late-modernist. All now very desirable and collectable. People collect bar-themed paraphenalia [‘barphenalia’] – Hornsea is oh-so collectable now, and Diana pottery [and ramekins especially] is becoming very desirable.

All these items are in good vintage condition, and are for sale: Melbourne bar tray: $AU20, Hornsea Heirloom sugar bowl: $AU25, and the Diana ramekins: $AU20.