20s toast rack

Manto Ware toast racksManto Ware toast racks
made in Japan 1920s

At the turn of the century, Manto Ware pottery started producing work that mimicked Royal Winton; here we have an example- very English looking toast racks, textured ceramic for a ‘naturalistic’ look and topped by an acorn. These were made for the export market- for Australia and New Zealand- markets that wanted Royal Winton but couldn’t afford the price- or the time- for the products to arrive. Manto Ware stepped in to fill the breach.

It’s rare to find a pair of anything vintage these days- and indeed- I collected these two toast racks separately. But they make a fine pair, and –as attested by Etsy and Pinterest- toast racks are very collectible and are eminently repurposeable. I use mine as a vintage letter/business card holder. [Or, you know, you can use them for toast.]

Silver plate toast racks are good too- see my recent post of a 1920s EPSN toast rack.

The toast racks are for sale: $AUD45

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SylvaC lamb

SlyvaC lamb
made in England, 1940s

I have collected a few SylvaC figurines and plates, jugs & mugs over the years. This lovely lamb [#1659] complements the fawn-coloured terrier figurine posted just recently. I also have a SylvaC ‘Scaredy Cat’ figurine. Like many SylvaC figurines, the lamb came in the limited colourway of fawn, green and cream. [OK- i agree – it’s beige. It’s SylvaC’s description, not mine.]

SylvaC  is highly collectible, and according to www.sylvac.priceguide.s5.com figurines are commanding quite high prices.

I bought all my figurines for styling purposes, so decided to pose the lamb with a styling item of its own: this toy tug boat, which is roughly the same vintage as the figurine, and with a complementary colouring. I posted it on Instagram, and of course- sod’s law- the toy tug boat was immediately bought!

So – the SylvaC lamb is for sale: $AU25

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60s platter

Westminster ‘Sierra’ platter
made in Australia, 1962

Despite both exotic names [Westminster, evoking England] and Sierra [evoking America] this platter with it’s gay 60s abstract flowers was made in Australia.

Westminster started making souvenirware under the name Stanley Rogers & Sons in Melbourne in 1954. They imported blank ceramic pieces from Japan which they then decorated locally. By the 60s the name was changed to Westminster Fine China – to suggest a longer and more illustrious history – and a much larger range of tea sets and dinner sets where produced.  These were decorated with bright, abstract flower arrangements [sometimes in very 60s and 70s gaudy colours.] On the whole, this platter in the ‘Sierra’ pattern is quite restrained.

The platter is in good vintage condition, and is for sale: $25

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Collectable Hornsea

Hornsea Saffron breakfast set
made in England, 1970s

Here we have a lovely breakfast set: egg cup and salt & pepper shakers- with teak lids- in a teak tray.

Hornsea is famous for its 70s patterns; always two apposite colours in a geometric pattern. I’ve showcased them all: Saffron, Heirloom and Bronte.

I grew up with this 70s oppositional style: and have only now come to embrace it again. Especially now it’s so collectable! I have styled the egg cup with wattle: it kinda recalls the yolk and i like how even a humble egg cup can become a vase.

The breakfast set is in great vintage condition, and is for sale: $AU35

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Calypso!

Broadhurst by Kathie Winkle ‘Calypso’ platter
made in England 1963

I am a huge Kathie Winkle fan: she produced over one hundred patterns for Broadhurst between 1958 and 1975. And it seems I’m not the only one: recently Kathie re-released several of the more popular patterns [see her website.]

However, these new releases are not handpainted, don’t have wonky registration of the transfer patterns, and look too – new and perfect. I much prefer the originals, and take great satisfaction from collecting them in the ‘wild’. So far, I have: Corinth [1967] Calypso [1963] Newlyn [1963] Tashkent, Kontiki [1965] Renaissance, Electra, Rushstone [1965] Michelle [1968] – and – Kimberley [1973.]

This is a fabulously large platter, ‘Calypso’. It was the pattern that my partner grew up with, in the 60s. I think she is starting to embrace it again- meanwhile- I think I love it anew.

And it’s for sale. Start your Kathie Winkle collection today! My ideal would be to have a place setting in six different patterns- fabulous! $AU35

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Mary, Mary QUITE contrary

Royal Art Pottery Mistress Mary cup
made in England, 1940s

A delightful children’s cup, featuring ‘Mistress Mary’ of the nursery rhyme:
Mary, Mary, quite contrary
How does your garden grow?
With silverbells and cockleshells
And pretty maids all in a row.

Here Mistress Mary [a la 1940s- as evidenced by her haircut] is seen with a rake and watering can, near the Silverbells. The cup has the royal crown logo and “Royal Art Pottery, England” on the base.

Perhaps you know a contrary Mary? This is the cup for them!

The cup is in great vintage condition & is for sale; $AU20

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Cookie jar

Cookie Shoppe cookie jar
made in Japan, 1960s

Here for your delectation is a cookie jar. Cookie jars are so collectable! This one is fashioned as an olde worlde cookie shoppe – look at the Tudor detailing and shingle roof!

The cookie jar was made in Japan in the 60s, and the lid and handle are all intact. It’s hand-painted, and stamped Japan on the base. All-in-all, a good cookie jar thing.

I haven’t collected any other cookie jars – this is a first for me. It’s kitsch – Japanese – and I love how it advertises its own use. It’s for cookies!

The cookie jar is for sale: $AU55

Kookaburra teaset

Noritake kookaburra teasetNoritake kookaburra teaset
made in Japan c.1933

Have I mentioned that kookaburras are very collectible right now? Perhaps once or twice!

This delightful set of teapot, creamer and cake plate was made in 1933- as evidenced by the design of the Noritake backstamp. The backstamp also indicates the pieces were “exclusively made for the Commonwealth of Australia market” – this fascinating information found on the Noritake website.

It seems kookaburras were highly sought after in the 1930s too. On this set, the kookaburras are paired on one side of the piece, and single on the other. They are all handpainted, and quite delightful.

All pieces are in pristine condition.

This set is for sale: $155

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60s browny goodness

Graham Kerr lazy susan, Vogue plate, Mikasa jugGraham Kerr lazy susan, made in New Zealand, c.1960s
Vogue patterned melamine plate, made in Australia c.1960s
Mikasa jug, made in Japan, c.1960s

And now for something a little different- a collection of items connected by colour, and age.

You may remember the Galloping Gourmet, Graham Kerr? The original TV Masterchef. It not, then perhaps this quote from the introduction to one of his cookbooks from 1971 might jog your memory:

“To millions he was TV’s clumsily ingratiating Galloping Gourmet, a master of sauces and saucy innuendo…”

He seems to have also produced a line in timber veneer lazy susans, to which he added his name in fancy gold script. This lazy susan still works a treat- they made sturdy ball bearings in the 60s. It would be great to have it in the centre of one’s dining table, holding saucy-sauces for your dining companions’ pleasure!

The Vogue plate is a ‘squircle’- a round-edged square shape and it features a lovely abstract composition of cooking paraphernalia. And the lovely caramel/two-toned jug by Mikasa [“oven to table to dishwasher”, #c4800] completes the collection.

A lovely trio of browny-60s goodness. This set is for sale: $AUD65

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Personal collection

Diana vase
made in Australia 1940s

This is part of my personal collection: you will recall that I like Diana pottery [originally made right near where I now live] – in the colours of green/brown [Australiana- nationalistic colours discovered in the 40s and 50s.] These nationalistic colours- reminiscent of the Australian bush – are dear to me as a landscape architect.

So- while I have many other Diana pottery on the blog for sale, I continue to collect this green/brown Diana from the late war period.  Diana was starting to embrace & recognise colours that made Australia unique.

Then the 70s happened. I don’t collect Diana ware from the 70s- with the exception of the brutalist ‘Safari’ set [see blog below.] The rest of the 70s collection- when the pottery finally closed- is made up of either bland brown or gaudily covered flora. That was the crazy 70s- either abstract nothingness or super-charged vibrancy.