Following the fantastic lustreware duck jug recently posted; here is another lustreware duck. This is also from the 1950s- this being a dressed duck, with waistcoat and topcoat – but – strangely no wings [seem to be demurely tucked under those clothes.] The duck would have been bought for a children’s room; these anthropomorphic animals were very popular as gifts for children in the 50s and 60s.
The lustreware is seen on the topcoat, and as with the jug, all this was hand-painted. I’ve teamed the duck figurine- which is quite large- 170mm tall- with a little duck cup orphaned from a children’s tea set, also made in Japan at around the same time. Though just how he will pick up that cup is anyone’s guess!
Just in time for Easter, here is a timber easter egg holder: The cart is articulated and the wheels move as the chick pulls it along. The original pin holding the cart to the chicken has been amateurishly replaced with a pin, adding to the overall charm of the piece.
These egg-holders were made in the thousands, in Japan, and exported to countries who- in the 40s at least- celebrated Easter by the giving [and eating] of easter eggs. It is hand-painted and the egg would be placed in the cart by the country selling the Easter gift.
[Without an easter egg available I have styled the cart with a random racoon.] Given my propensity for kitsch, I love this little piece! and after all easter eggs have been consumed, you can see that it’s quite good for displaying random figurines.
You can date Mickey Mouse by his eyes: here Mickey is depicted in the traditional ‘pie-eyed’ way from the 20s and 30s, rather than the way he was drawn in the 70s. [‘Pie-eyed’ being a circular pupil shape with a pie-shaped cut-out.] This lovely ceramic Mickey is from the 20s- he is pie-eyed, hand-coloured and has a little box on his back to take a brush. [I whacked a flower in there; I like the way it looks like he is looking at it.]
I didn’t set out to collect Mickey Mouse – he is uber collectable – but seem now to have pieces from across the decades: a squeaky toy [made in England, 1950s] – a hand puppet [made in Korea, 1960s] and a Disney clock [made in Germany, 1970s.]
Super 8 film is having a resurgence, and super 8 cameras and editors are being dusted off and put back into use. You only have to look at YouTube to see how many videos are being made using this fantastic 50s technology.
This Editor is fully working, and comes in its original box with splicer, spare bulb, reels of film and even splicing cement [not sure how good it will be after sixty-odd years but the box packing is fabulous.] It’s been tested by an electrician and deemed good to go.
Even if you don’t use the editor to – you know- edit, it is a beautiful piece of engineering that will lend industrial cred to any space.
The Editor [and assorted accoutrements] is for sale: $AU150
This is quite a large figurine of a little girl and her duck; its 110mm high and unusually detailed for porcelain made in the 40s. It would have been made as part of the huge export market that sprang up in Japan imitating much older [and venerable] porcelain manufacturers in England.
This piece is unsigned so manufacturer is unknown, but the figurine has been made to replicate those of the well-known figurine maker, Beswick. So, it’s a repro piece from the 40s!
I’m not in the habit of collecting figurines; I occasionally do if I need a kitschy figurine for styling purposes. But I absolutely love this little girl and her duck, and her quintessentially 40s features. And I was rather taken with the detailing and the size of the piece- so unusual.
For porcelain collectors / figurine collectors; the figurine is for sale: $AU45
Here is a collection from a friend: lusterware plates, made in Japan in the 50s. My friend inherited them from her parents to whom they were given as a wedding gift. As is the wont of parents, especially parents in Australia in the 50s- the plates were never used, as they were “too good”.
The plates were too good to be used! They were passed down to my friend who has a much more modern sensibility than me [and obviously, her parents] – she didn’t exactly recoil when you showed me the plates, but she thought I might have more love for them than she did. By love I understood her to mean ‘space’ and ‘tolerance of lusterware’. Luckily, I do have both.
I love lusterware, especially Japan 50s lusterware- and I love the whole ‘harlequin’ ideal: each plate is a different colour, but they all have the same neat gilt edge- and are clearly a set. Sure, lusterware is kitschy : but it is also of its time: it represents newly glazing techniques and evokes the metallic & mechanistic ideals of the space age.
This miniature jug hails from the 60s- from the time when Japan was a leading ceramic maker and was busy knocking-off old worldy antiques. It was at this time that the masses / new middle class were discovering antiques- and not being able to afford the real thing, were buying ‘new’ fakes by the millions.
This jug purports to be a pirate; it is hand-painted if somewhat crudely; you’d never mistake this for a real toby jug. The pirates’ hat has been cleverly fashioned to contain the pouring lip, and it looks as if he is roguishly looking up at it.
Start your fake toby jug collection today: the jug is for sale: $AU15
A fantastic Mahjong set of bamboo and bone: made in Japan in the 30s!
Complete with betting sticks, wind of the round, and a great 30s case. I am speaking to you Mahjong players out there…this is a gorgeous set.
I learned to play Mahjong in my 20s. It’s a mixture of cards and gin-rummy; but with a tactile placement and playing of tiles. You can play fast and dirty and win –or go for an impossible hand; a combination of ideas, collections or collaborations – and get a way better score.
We play it as a family every Christmas – which is why I associate it with this time. I always go for the impossible score – because I like the odds – and also, because it encourages others to win!