Poole Blue Moon tea cups,
made in England 1960-1975
Poole is a very well known pottery, which started operating in Dorset, England in 1873 – and continues today. I am particularly fond of the pottery produced between the 30s and 60s.
These tea cups – very modern in shape and sans handle – are part of the Cameo range. The colour is ‘Blue Moon’ –a deep blue exterior, with a slightly off-white interior [pure white would be too stark…this off-white is just right.] The set of eight tea cups and saucers have the traditional mid-century Poole mark on each piece.
The cups don’t hold much tea – not that I have used them as such – the lovely colour and repetition of form has had them serve a purely decorative function. But they would make for a lovely tea party.
I love pixies and bambies and all the 50s kitsch you can name: I put it down to being advised that they were ‘common’ and not suitable for my edification as a child. Now I can’t get enough of them!
I have mused on the causes of nostalgia before on this blog: and whenever I canvas other collectors as to their nostalgic leanings I have found that one of the main drivers was coveting something as a child but only being able to have it as an adult. Reasons for this range from my parents’ [kitsch was ‘common’] to cost [barbies weren’t common, but boy were they expensive] to the perceived educational value [pixies didn’t embody any educational opportunities.]
So I collect bambies and pixies and swans and tacky 50s prints…anything that was common in the 50s – and here I am using ‘common’ to mean everyday.
These delightful pixies sitting on a rococo chair are for sale: $AU15
Aboriginal motif salt & pepper shaker sets, and small jug
made in Australia c.1950s
While none of these items has a maker’s mark, the salt and pepper shakers at the back are possibly by Terra Ceramics, and the round shakers to the left are possibly Florenz Pottery. The small jug is probably Studio Anna. All these potteries were making tourist and souvenir pottery by the 1950s, and these appropriated [and westernised] indigenous motifs were hugely popular. Post war arts and crafts saw a rise in the popularity of Australiana – replacing traditional English motifs with ‘Australian’ themes; invariably Aboriginal motif works were black, tan and white.
This group works well as a set, or could form the basis of a larger collection. The items on their own are very kitsch…but somehow when grouped the kitschness is subverted into a subtler aesthetic.
Gambit Ware ‘Australiana’ leaf plates
made in Australia 1950s
Here is another part of my collection: anything botanically themed always gets me in. Add to that these plates were designed and made in Australia- celebrating our unique flora in the post war period. AND this is ‘Ceramique’ – an early melamine material that was developed to revolutionise ceramic – it would ‘never chip or break.’
The stylised plates came in simple pastel colours, but were quite botanically detailed- they include wattle, banksia, kurrajong, mulga leaves- to name a few. The simple colouring meant that each leaf shape was reproduced in six colours- so one could buy a set of six ‘for display OR kitchen purposes’!
This image shows another part of my collection- at last count I had 50 plates. Plates with their labels intact are worth significantly more. The Ceramique has certainly lived up to its name- there isn’t a chip or a crack on any of the plates, although colour fading has occurred on a few.
Kitschy – yes. But 50s Australian kitsch- I love it!
This selection of Gambit Ware is for sale: $125 [13 pieces]
Kathie Winkle ‘Michelle’ plates
made in England, 1968
Continuing my love affair with Kathie Winkle – the lead designer at Broadhurst in the 60s- here is another of her designs: Michelle. Kathie Winkle designs are very collectible right now – and indeed are currently being re-released. Winkle designed over 140 patterns- all very groovy and typical of the 60s.
These plates have a handpainted underglaze [the green and orange colourings] which makes every plate unique – BUT are they are also detergent and dishwasher proof. So they’re beautiful and functional! Imagine a whole wall of funky 60s plates…if they were easily detachable you could store your entire dinner service that way!
Previously I have posted Kathie Winkle’s ‘Kontiki’  ‘Calypso’  ‘Corinth’  and ‘Newlyn’ [1963.]
Start your Kathie Winkle collection today!- these two dinner plates and side plates are for sale: $AU55
This is a fantastic hard-cover Tiger Tim’s Annual book, with illustrations by the famous Herbert Sidney Foxwell – including the front cover. Seriously- how camp is that front cover?
The Annual contains various stories by a number of authors: and there are comics and illustrations aplenty. The Annual was published in Australia by Gordon & Gotch; in the UK where it originated, by Amalgamated Press. Tiger Tim’s Annual was produced from 1922 to 1957; so this 1932 book is an early edition.
The Annual is in good vintage condition – it has its original cloth spine and is without any additional scribblings. Ebay is replete with Tiger Tim’s Annuals- it is highly collectable.
Longmans Colour Geographies
printed in Great Britain, 1956
Units 1 to 5 of the Longmans Colour Geographies, these are school readers from the 50s.
Unit 1- Coasts of Britain
Unit 2- Farms of Britain
Unit 3- Towns of Britain
Unit 4- Industry in Britain
Unit 5 – London.
Made and printed in Britain by William Clowes and Sons, Ltd; these readers show signs of water damage and sticky pages. But the text! and the illustrations! All fascinating.
The readers would make a great art project- or – are simply collectible as a snap-shot of English education in the 50s. The images alone are worth framing- quintessential 50s illustrative descriptions of an England that was.
This is a beautiful cast iron ‘gem’ scone baking tray. Gem scones were popular in the 40s, and were more like rounded sugar cakes than the scones we know today. The cast iron made for an even heat, and the baking trays – while easy to produce – were expensive to buy. Consequently the gem iron was carefully and loving cleaned and greased after every outing, and so many have survived in good working order. Suffice it to say, with the right recipe [and the internet proliferates with them!] one can continue to pump out gem scones today.
I have styled the gem iron with a couple of kewpie dolls – these are reproduction kewpies, but the originals were made around the same time as the gem tray. If you are a non-cook like me- you might like to use the iron to showcase small items. It has a multiplicity of uses!
The gem iron, being cast iron – is super heavy. This is one part of my collection that is not suitable for posting – pick-up from St Peters in Sydney only. If you like the kewpie dolls, I’ll throw those in as well!
Here we have two jugs: the first – a green stripey jug made by Bakewells, and the second a pale yellow Fowler Ware jug- both made in local factories from whence I hail. Now no longer with us, I still like to collect from the potteries that were once in the inner-west of Sydney.
Fowler Ware created industrial pottery in Glebe, Sydney commencing in the 1840s. After WWII, Fowler Ware moved to producing pottery for the domestic market : their graduated pudding bowls and jugs were so popular that they opened a second pottery to cope with the demand. Fowler Ware is now much sought after. This is a 2 pint jug – as attested by the incised backstamp.
Bakewells operated out of Erskineville- very close to where we now live. Bakewells started production in 1884 and like so many potteries, moved from making bricks and pipes to domestic wares in the early part of the twentieth century. By the 1920s, Bakewells was manufacturing vases [‘exclusive ware’] and domestic ware [pudding bowls and jugs] in a range of sizes and colours. This jug with its banded decoration calls to mind Cornish Ware; a deliberate evocation
Marilyn Investigates by Glynn Miles: printed by Victory Press, published by Evangelical Publishers, Ltd.
All the names give it away- Victory Press, Evangelical Publishers- yes- this is a Christian novel taking on the Agatha Christie’s and Enid Blyton’s of the day. Hilarious.
I have no idea what good ol’ Marilyn investigates or finds…but – how fabulous- there is sure to be a resounding victory and praise to the Lord at the end. And the baddie gets a good talking to. Although…that cover…is it just me or is there a suggestively homo-erotic vibe going on…
Add to that- for collectors of book plates and frontispiece certificates: there is a fabulous frontispiece from the Christian Literature Crusade, Sydney.