Shaving mugs

Keel Street Pottery [KSP] shaving mugs, made in England c.1900-1930s
Koala shaving mug, made in Australia, c.1930-1940s.

Shaving mugs are highly collectible and becomingly increasingly hard to find.

The ceramic ‘woodgrain’ finish shaving mugs [woodgrain- presumably to render the pottery more ‘manly’?] by KSP predate the pastel colours of the 50s, and yet anticipate those very colours. Yes, now I am certain the woodgrain would help with the whole manly act of shaving. The pink, yellow, & green shaving mugs are all in perfect condition, and marked ‘KSP, made in England’ on the underside.

By contrast, the blue shaving mug is made in Australia by Koala. Koala pottery had a short run, and produced- as far as I can tell- only shaving mugs. I would love if the shaving mug had a koala’s face on it, but alas, it’s a purely perfunctory item, other than that cool blue colour.  It’s also in tip-top condition.

The four mugs are for sale: $AUD100

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Vintage measuring jugs

Vintage measuring jugsVintage glass measuring jugs
made in Australia, 1930-1950s

I love a bit of vintage kitchenalia – and when you have three or more items of the same type/vintage they look great massed together in the contemporary kitchen. Add to that that these jugs are still good for their intended purpose – and equally good holding fruit or kitchen utensils or a bunch of flowers–and what’s not to love!

Glass measuring jugs were made during the Depression- glass being cheaper to manufacture than tin or steel. These jugs all measure 5 cups / 2 pints, with the graduated measurements cast in relief during the manufacturing process. There were often bubbles in the glass, and the visible seams in the jugs mark them out as being Depression glass. When buying vintage glass it’s important to check that the pouring lip and rim are entire- with no chips or scratches – especially if you intend using the piece in the kitchen.

These three jugs are in good condition, and are big enough to hold a pineapple. They are for sale: $AUD95

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Kookaburra teaset

Noritake kookaburra teasetNoritake kookaburra teaset
made in Japan c.1933

Have I mentioned that kookaburras are very collectible right now? Perhaps once or twice!

This delightful set of teapot, creamer and cake plate was made in 1933- as evidenced by the design of the Noritake backstamp. The backstamp also indicates the pieces were “exclusively made for the Commonwealth of Australia market” – this fascinating information found on the Noritake website.

It seems kookaburras were highly sought after in the 1930s too. On this set, the kookaburras are paired on one side of the piece, and single on the other. They are all handpainted, and quite delightful.

All pieces are in pristine condition.

This set is for sale: $155

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Bakewells tea canister

Bakewells tea canister
made in Australia 1925-1935

This fabulous ceramic kitchen canister is called ‘Beulah Ware’- named for Bakewell’s wife, Beulah. The fantastic ‘tea’ font and decoration is all art deco.

Bakewells started production in 1884 and like so many potteries, moved from making bricks and pipes to domestic wares in the early part of the twentieth century. By the 1920s, they were manufacturing vases [‘exclusive ware’] and domestic ware [kitchenalia, including canisters.]

The earthernware canisters came in a set of five: Flour, Sugar, Rice, Tea and the smallest, Sago. A full set of canisters is next to impossible for find now – and originally, they came in this pastel green, a pastel yellow and a baby blue.

You may remember that I found the ‘Flour’ canister, sans lid- and now use it as a vase [see post, below.] And that just recently I posted a set of matching graduated jugs- same hand-coloured green glaze and with the same art deco styling.

The tea canister is in fantastic vintage condition, and is for sale: $AU65

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Bakewells jugs

Bakewells graduated jugs
made in Australia 1930s

Bakewells started production in 1884 and like so many potteries, moved away from making industrial ceramic products -like bricks and pipes- to domestic wares in the early part of the twentieth century. By the early 30s Bakewells was making pudding bowls and graduated jugs in multi colours-  all to meet the insatiable demand of the new middle class. Bakewells is now very well known and very collectible.

This is an image from my own kitchen [and kitchenalia collection]- but I draw your attention to the Bakewells graduated jugs in green on the top shelf. I have just recently added to this collection – and find I have no more room to display it: so for sale are three green graduated jugs: similar to the first three of the four jug set seen here. You only need find the fourth- smallest- to create a set.

The jugs, being made in the 30s, have art deco flourishes: the shape, handle and applied decoration are all deco inspired. And the jugs are functional, as well as beautiful: we use ours to serve sauces and gravies [especially if we make art deco gravies. Only kidding- that sounds horrible!]

The three green graduated jugs are in excellent vintage condition, and are for sale: $AU95

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#30s style [sold]

Woods Ivory Ware cup & saucer set
made in England, 1930s

This delightful cup, saucer and cake plate set is Woods Ivory Ware; distinguished by the black and white ‘checkered’ rim. The checked rim, and the abstract flower motif on the pieces are all hand-painted, which means each piece is slightly different.

Woods Ivory Ware [the ‘Ivory’ referring to the pure white of the fine bone china] was made in Burslem in England- where many potteries hail from. The pieces are hand-signed ‘36’ on the back; presumably this was the painter’s number; and the plate is impressed W83 and the cup 126. All pieces are stamped Woods Ivory Ware, England.

The set is in fine vintage condition; ready for tea and cake! It is for sale: $AU55

Bakelite inkstand

Velos Classic Inkstand,
made in England, 1930s

Here we have a bakelite inkstand: the two quill-holders swivel to accept a pen from multiple directions, and the stand has numerous cavities for ink bottles, pens and the like.

On the base, the relief bakelite stamp assures us that this is a ‘Classic’ inkstand, model no: 1270, made in England. Just in case you thought it might be of the un-classic variety.

I have of course stuffed flowers into the quill holders- for artistic purposes, you understand; but the whole thing is in excellent condition. I did give it a bit of a buff with Greys Paste No. 9- and the top bakelite surface came up a treat [and matched the underside, which has never seen the light of day.]

For bakelite, and inkstand collectors, this is a lovely piece of history. It is for sale: $AU75

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30s sugar canister

30s sugar canisterSugar canister
made in Australia, 1930s

A wonderful example of a depression era canister – this aluminium sugar canister evidences all the hallmarks of the 30s- drilled, green bakelite handles, mismatched green tones, applied ‘Sugar’ label, and graduated rings to the cream base.

Anodised aluminium was in its infancy- and achieving colour matching next to impossible. So each green lid was slightly different across the whole set of five canisters [and added to this of course, is colour fading over time.] Meanwhile bakelite technology was forty years old- you could get any colour you wanted there.

The size of this canister tells you something about the storage of sugar in the 40s. This canister was second in size only to the Flour canister. Everything else in the series was smaller: Suet, Rice, Tea and coming up last, Coffee. My how things have changed in the modern world! [Coffee should always be the largest!- and what the hell is suet?]

The canister has a few dings due to age, but the anodised aluminium base and lid are in good condition. The canister is for sale: $AUD45

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Dirty Dogs of Paris

The Dirty Dogs of Paris,
Lithograph by Boris O’Klein, Paris, 1930s

This is a framed souvenir print from Paris, in the 30s. The lithograph – featuring dogs each with a “human personality”, was hugely popular and printed [and hand-coloured] in the thousands. This one was bought to Australia as a gift in the late 1930s, and apparently was much admired and giggled over, due to the risqué scene. Oh those French artists!

Boris O’Klein [real name Arthur Klein, a Russian emigre] was an illustrator and artist in Paris, but he was most well-known for his Dirty Dogs print series. Boris [1833-1985] lived to a ripe old age, and the Dirty Dog prints were still being produced in the 70s, albeit by protégés and not Boris himself.

The print is signed ‘Chacun son tour’ [“each turn”]- Copyright by O’Klein, Chamarandle [S.&O.] Eauforte orginate. It’s still in its original frame and glass, and the hand-colouring is as vibrant as the day it was painted.

The print is for sale: $AU75

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Apple Blossom

Carlton Ware ‘Apple Blossom’
made in England 1937-1950s

I may have mentioned before that I am drawn to botanical themes- and that I may have amassed a fair bit of botanical related items due to being a landscape architect. Well- here’s more proof.  An ‘Apple Blossom’ plate in one two colours in which it was produced- yellow and green.

The floral embossed motif ‘Apple Blossom’ was part of Carlton Ware’s Salad Ware Range, produced from 1937 to the 1950s. Apple Blossom was the most popular of the floral ware produced and over sixty different items were made : seen here is a medium-sized plate – I also have a large, medium and small plate, a footed bow and a sugar bowl.

Carlton Ware is very collectible – you may have seen my previous post of the Wild Rose jug [also part of the Salad Ware range]- but like all collectibles its popularity waxes and wanes. Us purists, of course, collect what we like and are unswayed by popularity. And I like botanical themes on my pottery!

The plate is in excellent condition for pottery that is over seventy years old. For Carlton Ware collectors and mad keen botanists alike–this plate is for sale: $AU25

[PS: As for the swallow- I am waiting for the other two of the original trio to turn up. In the meantime, s/he is doing double duty as a styling piece.]

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