Crystal Craft trivet, made in Australia 1970s Wiltshire ‘Vogue’ cutlery, made in Australia 1970s
Crystal Craft has become uber trendy for collectors: it is a resin-covered fabric that originated in Queensland in the 70s. This is a super 70s trivet- just look at the forms and colours! And it is great that the piece has it’s original sticker on the base.
The ‘Vogue’ cutlery was designed for Wiltshire by Stuart Devlin- famous for his other work designing the images on Australian coins [all native fauna & flora.] This was his day job – but once those coins were minted I think he gave up his day job! The cutlery are ‘new in box’ never opened or used, and in great condition.
I styled these two items together – I love the 70s colours! – but am happy to sell them separately: $AU35 each.
I collected these ice buckets because I loved the idea of using them with the bakelite blender [the ‘Vitamizer’, posted below] at cocktail parties. I am very partial to a martini, which while not strictly needing a blender, does require the service of an ice bucket. The blender was good for making frozen daiquiris, which my guests favoured. Either way – an ice bucket was totally necessary, and who wants to use a modern one?
I have ended up with a few ice buckets…and in researching these, I found quite a few avid collectors out there. People collect ice buckets. And why not- they look fantastic displayed together [and they’re good for storing ice…amongst other things…]
The bucket to the left in the image is made from Scandinavian teak, and has matching tongs. The red plastic bucket has a brass handle, and has matching tongs. The only ice bucket with any branding – the Dia Ice Pail, made by Dia Vacuum bottle Industries Co. Ltd, is anodised aluminium and steel [with a ‘vacuum’ white plastic interior] and it comes with…you guessed it…matching tongs. Matching tongs are so important at a cocktail party.
Fred Press, American artist Lionel Suttie, Australian industrial designer
Fred Press was an American artist, and from 1950 to the 1980s was the chief designer of Rubel & Co on NY’s Fifth Avenue. He set out to revolutionise giftware, bringing his artistic sensibilities to domestic ware. Here we see a cheese/fruit board, in the shape of an apple, with one of his iconic drawings reproduced on the ceramic tile. The tile itself was made in Japan and is set in American teak, and it is signed Fred Press.
Lionel Suttie was an Australian industrial designer, bought in to Bessemer to revolutionise the design of utility ware– butter dishes, sugar bowls and table ware. This was the first time mass produced melamine products were thought worthy of design – or that they could make could make a design statement. In this image- a russet brown lidded condiment bowl, an avocado cup and saucer and a yellow sugar bowl.
Altogether a fine homage to the 70s -and- 70s designers.
10” slide rules Hemmi, made in Japan, c.1954
Aristo, made in Japan, c. 1960
Royal, made in Japan, c.1960
The first slide rulers were developed in the C17th, for mathematical calculations. They were used consistently from this date until 1974, when they were replaced by the scientific calculator. The middle section moves between scales on top and bottom of the scales, and then an independent clear plastic slider is moved to allow the calculation to be read.
These 10” slide rulers [250mm] were made for the office; they are larger and allow more complex calculations that the smaller 5” portable scale rules […yes..they will appear in a previous post…I can’t help it…I love them!]
The Hemmi slide [topmost in the image] has a bamboo structure, with a plastic laminate covering; whilst the later slide rules are all solid plastic. All slide rules come in their own boxes [some with original operating instructions] and some have their original owners names incised on the box.
Bakelite salt and pepper shakers
made by Marquis, Nally, Eon in Australia, c.1940s
I have previously posted bakelite salt and pepper shakers – twice- first in a grouping of green examples and then in a grouping of multi-coloured examples. Here we have a collection of red s&p. They were made to be included in the picnic basket- an everyday object made in a newly-developed plastic- that wouldn’t break in the great outdoors.
I am very fond of the ingenious design of the first two shakers – the top and bottom separate to reveal the two shakers; and you can see that the screw-on bases were often different coloured bakelite. These shakers were made by Marquis; and are impressed with ‘cat 729’.
The next pair of shakers were made by Nally: they are quite distinctive with black bakelite screw lids; and the last set of shakers- although not marked, are by Eon.
For bakelite collectors, and salt and pepper shaker collectors- you know who you are!
Minnie Mouse hand puppet, made in Korea 1960s
Mickie Mouse squeaky toy, made in England 1950s
Minnie Mouse hand puppet, made by Walt Disney Productions, Ohio and Mickey Mouse squeaky toy, made by Combex in England [#1499.]
Mickey and Minnie Mouse are still quite collectable, with many fan sites devoted to their collection. I have previously posted a very early Mickey Mouse- ceramic napkin ring, made in the 30s, and an alarm clock from the 60s. These four comprise all the Mickey Mouse memorabilia I have collected- and are a testament to how rare the items are now.
Bessemer plate, made in Australia 1965-70 Pyrex ‘Sunburst’ flask jug, made in USA 1960s
This is Pyrex at its best- a jug modelled on a laboratory flask with an ‘atomic’ sunburst pattern in gold. The stopper is graduated plastic, in good old yellow plastic. The jug has a pouring lip, two litre capacity and being Pyrex, is good for hot and cold liquids. Pyrex is very collectible – and the jug is in excellent condition. And –it makes a terrific vase when it’s not serving hot and cold liquids.
The Bessemer plate is likewise very collectable. It is one of a series of six, designed by A. Wiederkehr – and is culturalyl important enough to be in the Powerhouse Museum collection. I would have loved to have collected all six- but alas- after so long hunting I have only found this one ‘in the wild’ [as collectors say.] I have found plenty of plates, of all the patterns – but they are invariably so scratched from use that I rejected purchasing.
If you are a Pyrex collector [and there are quite a few!] or a Bessemer collector, please check out the other items on my blog. I am a big fan of early 60s industrial designers – and Pyrex and Bessemer tick all the boxes!
The flask and plate are in excellent vintage condition, and are for sale: $AU45
Crystal Craft kiwi, made in New Zealand 1960s State Bank money box, made in Australia 1960s
Glass inkwell, made in England 1960s.
60s- style from around the world.
The Kiwi is made by Crystal Craft, and features marine opal and brass legs & beak – the makers sticker in-tact on the back; the State Bank money box is metal and exhibits the logo of the 60s [founded in 1933 as the Rural Bank, the State Bank became the Commonwealth Bank in 2000.] The glass inkwell is an import from England, maker unknown.
All different items, made from different materials, and hailing from different countries but unified by date [and collectability] – and what a nice little tableau they make!
Crystal Craft has become uber collectable; money-box collectors are legend; and there is a society of inkwell fanciers.