Valet Auto-Strop Safety Razor
made in England 1950s
With so much attention to shaving [or wrt to beards = not shaving] recently I’ve had so many inquiries about razors.
I meet a lovely sustainable activist who says NO to disposable razors and is on a mission to recover all the vintage razors that can be used over and over – and are not disposable. So much landfill is single-use razors.
I love this Valet Auto-Strop Safety Razor- in it’s original bakelite box. Made in England, it has a couple of old blades for examples- still available- and is entirely made of stainless steel.
It ticks all the boxes- bakelite, stainless steel, useable, and good-ol’ timey shavin”! Buy one now [and for god’s sake- loose that horrible beard!]- for sale: $AU65 Buy Now
Hipster Christmas decorations
made in Sydney, Australia 2013
How cool are these Christmas baubles? Hand-knitted – in pure Australian wool- these decorations will lend your Christmas tree some real hipster cred.
Made by a lovely Nanna using a 1970 knitting pattern, this set of 20 baubles is both environmentally sustainable and – quite hilarious. Environmentally sustainable because she used her left over wool pieces, and hilarious because she used her left over wool pieces [~not so much the red and green or tinselly colours.]
You’ve seen the urban art of knitted wraps around trees and poles – now see the knitted Christmas decorations! Christmas just got 1970 crafty!
The set of 20 [all different] Christmas baubles is for sale: $AUD40.
I love this group of icons. The colours, the forms, the ensemble. The first, Jesus with a timber fan – cum halo, stands on a polished timber plinth giving the peace sign. The middle icon- hand painted perhaps by someone in a hurry- has Mary with a somewhat shifty look, and Joseph looking like a harried hippy [could that haircut be any more unfortunate?] As for baby Jesus- is it just me, or is he a ventriloquist doll?
The final icon features Mary arms outstretched, standing on an orb that while representing the earth, is the colour of her dress and head scarf, and which itself is on a bakelite plinth. Mary’s face is featureless- it’s all about the clothes- she is just a cipher.
The trio form an interesting group representing religious iconography of the 50s. In Australia. In the 50s.