Broadhurst by Kathie Winkle ‘Calypso’ platter
made in England 1963
I am a huge Kathie Winkle fan: she produced over one hundred patterns for Broadhurst between 1958 and 1975. And it seems I’m not the only one: recently Kathie re-released several of the more popular patterns [see her website.]
However, these new releases are not handpainted, don’t have wonky registration of the transfer patterns, and look too – new and perfect. I much prefer the originals, and take great satisfaction from collecting them in the ‘wild’. So far, I have: Corinth  Calypso  Newlyn  Tashkent, Kontiki  Renaissance, Electra, Rushstone  Michelle  – and – Kimberley [1973.]
This is a fabulously large platter, ‘Calypso’. It was the pattern that my partner grew up with, in the 60s. I think she is starting to embrace it again- meanwhile- I think I love it anew.
And it’s for sale. Start your Kathie Winkle collection today! My ideal would be to have a place setting in six different patterns- fabulous! $AU35
Continuing my love affair with Kathie Winkle – the lead designer at Broadhurst in the 60s- here is another of her designs: Electra. Kathie Winkle designs are very collectible right now – and indeed are currently being re-released. Winkle designed over 140 patterns- all very groovy and typical of the 60s.
This tea set of tea cups and cake plates has a handpainted underglaze [the pattern] but is detergent and dishwasher proof. So it’s beautiful and functional! But being handpainted means that no two sets are the same.
I have now posted seven different Kathie Winkle’s designs: start your Kathie Winkle collection today!- this collection is for sale: $AUD50
Kathie Winkle plates
made in England 1963 and 1965
Kathie Winkle started work at Broadhurst & Sons- a major Straffordshire pottery- in 1950 as a painter: by 1958 she was producing her own designs, of which there are now 122 [and counting.]
Winkle’s innovative geometric patterns were printed in black by semi-automatic rubber-stamping machines, and then hand-coloured before glazing (a ‘stamp & fill’ process) thus allowing the plates to be dishwasher proof. Her funky designs sold in presentation packs aimed at the catalogue and chain store markets and Broadhurst became hugely popular on the back of these popular designs.
Here we have [large plates] ‘Corinth’ introduced in 1965 and ‘Calypso’ [smaller plates] introduced in 1963. As the plates were hand-coloured, there is a slight variation in the colouration, under the standard black outline. I find them quite charming.
And so do many others- the most popular Kathie Winkle designs have been released – by Kathie herself- using modern pottery production techniques. Unfortunately, for me, the charm dissipates with the uniformity of the colouring of these ‘reproduction’ pieces.
I’ve styled the plates together- to give a taste of how these plates might look mounted on a wall. My idea is to have a two each of a dozen or so Kathie Winkle patterns – and fill a wall. Funky!