MCP boomerang dish
made in Sydney, Australia 1950s
MCP [Modern Ceramic Products] started production in the 1940s, in Redfern, Sydney. The simple geometric forms of their vases have a very modernist styling and each has a highly textured exterior finish which contrasts with the smooth internal glaze. The two-toned aesthetic meant each vase could be made in a wide range of iterations- albeit along the 50s spectrum of baby blue, pale pink, pale yellow and pastel green.
This is a boomerang dish, with the usual MCP textured green exterior and smooth pink interior. Like most 50s pottery, the fine edge between the two glazes is described in white. So elegant. The boomerang shape was a 50s staple: not only was it ‘Australian’ but it had the added benefit of being ‘unusual’; not a pure geometric shape like most round or square dishes.
The dish was used to serve sweets; but here I have loaded it with bakelite teaspoons from the same era. I like the colours; the spoons are Tilley bakelite, also made in Sydney. Tilley specialised in cutlery, especially picnicware [and I have collected quite a bit.]
The MCP boomerang dish is in excellent vintage condition, and is for sale: $AU45
Kookaburra perpetual calendar,
made in Australia 1940s
This pewter kookaburra sits on a boomerang-shaped timber base: the timber is traditional Mulga wood- which has been cut and arranged to show off its famous bi-colouring. Mulga wood was used in 1940s souvenir works like these as it is a hardwood –unusual in a native from the wattle family – and was considered ‘export quality’. A transfer sticker on the base, in the shape of Australia, proudly proclaims “Genuine Australian Mulga” in case one confuses it for fake Mulga, or worse still, a non-Australian Mulga.
Kookaburras are very collectible right now: and I have a great fondness for a perpetual calendar. The daily ritual of changing the date as one sits down to work in a mostly digital world is very pleasant. You’ll notice if you look closely at the image that the calendar pieces were made by The Daily Set, printed in England. This is the only part of the item that was imported; seems Australia couldn’t print calendar pieces in the 40s.
The perpetual calendar is not for sale as it makes up part of Trish’s burgeoning kookaburra collection. I have tried to claim is as part of my burgeoning Mulga wood collection – but nothing doing!