Bakewells jug & pudding bowl
made in Sydney, Australia 1930s
Bakewells started production in Sydney in 1884 and like so many potteries, moved from making bricks and pipes to domestic wares in the early part of the twentieth century. By the 1920s, they were manufacturing vases [‘exclusive ware’] and domestic ware [jugs, pudding bowls, coffee pots and ceramic canisters.]
Here we have a blue and white striped jug and pudding bowl from the 30s; the blue and white colours were used to resemble English Cornish Ware and were the premium pieces produced in the 20s and 30s. Every day pieces- were termed ‘Cream Ware’ while the blue and white pieces have the MADE BY BAKEWELLS, SYDNEY N.S.W. backstamp.
Being handmade in the 30s, the colour of the glaze and the clay used varied, so each piece is slightly different. Three different sized jugs were made, and six different sized bowls; with the largest bowl having a pouring lip. This meant that pudding bowls could also be used as mixing bowls, and vice versa.
This set of jug and bowl are for sale: $AU105 Buy Now
Bakewells started production in 1884 and like so many potteries, moved away from making industrial ceramic products -like bricks and pipes- to domestic wares in the early part of the twentieth century. By the early 30s Bakewells was making pudding bowls and graduated jugs in multi colours- all to meet the insatiable demand of the new middle class. Bakewells is now very well known and very collectible.
This is an image from my own kitchen [and kitchenalia collection]- but I draw your attention to the Bakewells graduated jugs in green on the top shelf. I have just recently added to this collection – and find I have no more room to display it: so for sale are three green graduated jugs: similar to the first three of the four jug set seen here. You only need find the fourth- smallest- to create a set.
The jugs, being made in the 30s, have art deco flourishes: the shape, handle and applied decoration are all deco inspired. And the jugs are functional, as well as beautiful: we use ours to serve sauces and gravies [especially if we make art deco gravies. Only kidding- that sounds horrible!]
The three green graduated jugs are in excellent vintage condition, and are for sale: $AU95
I’ve posted an image of our kitchen previously: I have been collecting these glass canisters FOREVER. I like them because you can see what food stuff is contained within: and because they were made in the 50s the glass is thick and the seal is strong. These canisters can be repurposed to contain anything that needs an air-tight seal.
I also like the canisters because my partner’s family actually bought them – every Christmas- filled with sugared almonds or salted nuts. So she has an association with them too. Now our kitchen is replete with them.
The lids were made in bakelite up until the 50s – then – every colour of plastic lid was used. This is especially helpful now in the kitchen: as I associate flour with red, baking soda with yellow, sugar with green…
I have several here in Christmas colours. The glamour! The five canisters are for sale: $AU100
McCredie vases & jugs
made in Sydney Australia, 1930s-1940s
Following on from my last post, here is a selection of McCredie vases, jugs and a pin dish in the more usually-found white outer glaze and green interior colourway.
Observant readers of my blog [and I know you are out there!] will recall that I have also posted larger white/green vases – which look fantastic in a contemporary white interior – the off-white tones used by Nell McCredie seem to complement modern day paint schemes. I teamed these larger vases with Waratahs and bright crimson Gerbras- the vibrant colours look fantastic in the simple forms and colours of these 30s and 40s vases.
This selection of McCredie is now for sale; I am reluctantly parting with my collection as we have to move house- these eight pieces are all in excellent vintage condition and are for sale: $AUD125
Snail & pixie elf rider nursery night-light,
made in Melbourne, Australia c.1957
This wonderful night-light is in excellent working order, with a new plug to meet Australian standards- and has been checked by an electrician. It was made by Pan Pacific Plastics in Melbourne, and uses a 15 watt lamp and AC/DC power.
Pixie elves riding snails have a long and illustrious past- the idea being that pixies are very small, and being entirely frivolous with their time, are happy to harness a snail to transport them about. What do they care for speed and efficiency? They are not bound by the normal cares of the modernist [50s] world. Some snails are shown with bit and harness – but not our snail – indeed, he sports an insane grin and a bow tie! The elf too is grinning broadly. Everyone is enjoying this ride.
The night light has signs of some wear- rubbed paint areas- but these are consistent with age. Indeed- this is how you tell a vintage night light from a repro- which are starting to make their way into the antique and retro market. Nursery lights are now quite collectible- so inevitably- the repros are trying to cash int.
I am a big fan of Nell McCredie- she was one of the first women to become an architect in Australia and after designing a number of buildings she turned her hand to art pottery. Nell opened a pottery studio in Epping, Sydney in 1932 to make fine art pottery by hand. All of her pottery pieces have an architectural or structural quality quite different to the art deco shapes and arrangements that her contemporaries were making. She presaged the modernist movement by about twenty years.
McCredie continued to produce pottery right up to her death in 1968; she was interested in art and design in all her work – as she said:
“Pottery-making is definitely an art inasmuch as the design is a purely individual thing. The technique of moulding is mechanical but the conception and execution of a design is an art -a fascinating art.” [Where Pottery is made by Hand, SMH, Oct 20 1936.]
McCredie pottery made vases and domestic ware – often with the distinctive white matt outer glaze as seen in this image -with a contrasting coloured shiny interior glaze. The larger vase seen here has an internal frog; and as with all her pottery, these pieces are hand-signed on the base: McCredie N.S.W.
Happy International Women’s Day- I salute you, Nell McCredie.